Ten most hilarious comedians of Bollywood

1-Johny Walker

2-Mehmood

3-Rajendra Nath

4-Asrani

5-Utpal Dutt

6-Deven Verma

7-I.S.Johar

8-Asit Sen

9-Jagdeep

10-Keshto Mukherjee

Five Greatest Spinners of Cricket

Cricket has always been a delightful game for the fans across the globe and over the decades.The swift glade and flight of slowly moving ball,the art of spin bowling is somewhat humming like a butterfly turns into a bee sting.

It is difficult to select five greatest spinners in Cricket history but in my humble opinion these five are the genius spinners for all time to come.

1-Muttiah Muralitharan (Sri Lanka )

2-Anil Kumble (India)

3-Shane Warne (Australia)

4-Lance Gibbs (West Indies)

5-Bishen Singh Bedi (India)

This is a sort of tribute paid to my father on his first Punyatithi,by Mr Bhupendra Nath Srivastava.

I was very keen to get all the tributes got published in a book form,but somehow;this could not be materialised.Mr,Bhupendra Nath shared great rapport with my father,and so he has carved out a portrayal of my father in it's true spirit,shape,odour and colour.when i asked him to regive his consent to get it published in my blog post;he generously consented.Each and every word is soaked in the fragrance of affection he had for my father, and i am sure my friends would smell it and feel it.

}kjds”k th----- ,d vycsyk dykdkj

& & HkwisUnzukFk

**jkg ns[kk djsxk lfn;ksa rd] NksM+ tk,xsa ;s tgka rUgk** xty dk ,d “ksj] tks dgk rks “kk;n ejgwe “kk;jk egtchu&ftUgsa fgUnwLrku e”kgwj fQYe vnkdkjk vkSj VªSftMh Dohu ehuk dqekjh ds uke ls tkurk gS& us vius rbZ gkssxk] ij ykxw gj ml “kf[l;r ¼O;fDrRo½ ij gksrk jgsxk tks Qudkj gks vkSj ftlus vius Qu ls] gj egfQy] gj cTe dks thur ¼”kksHkk½ c[“kh gksA ,ls gh ,d fdjnkj ¼pfj=½ Fks] }kjds”k th] ftuds ckjs esa fdruh ;kns vc cl ;knsa gh cu dj jg xbZ gSaA

Qkbu vkVZl dh ,slh dksbZ fo/kk ugha Fkh ftlesa mudh :fp u jgh gksA eSaus mudh cukbZ gqbZ isafVXl ns[kh gSA isfUVaXl dh ckjhfd;ksa ls rks eSa ifjfpr ugha gw¡] ysfdu bruk t:j dg ldrk gw¡ fd mudh mu dyk d`fr;ksa dks ns[kdj cslk[rk ¼,dk,d½ rkjhQ fudy iM+rh FkhA lEHkor% dyk dh lkFkZdrk blh esa gS fd og vkidks vfHkHkwr dj ldus esa leFkZ] l{ke gksA izfrHkk vH;kl ls fu[kjrh gS vkSj eq>s bldk nqjo jgk fd mudh ;g izfrHkk fu[kj u ldh] rFkk nqfu;k ds lkeus ml :i esa u vk ldh ftldh og gdnkj FkhA **dqN rks etcwfj;ka jgh gksaxh] dksbZ ;wW csoQk ugh gksrkA**

dyk ds izfr muds lEkiZ.k dk mRd`’V :i mudh fgUnh fQYeksa esa :fp ds :i esa ifjyf{kr gksrk gSA lkQ lqFkjh fQYeksa ds izfr mudk yxko] mudk “kkSd] nhokuxh dh gnksa rd iqgWprk gqvk eSuas ns[kk gSA ml fo’k; ij ?kUVksa] og cM+h csckdh] cM+s fo”okl ls ckrsa djrs FksA ,d ekSfyd] vUnkt gksrk Fkk mudh vkykspuk dk ] tks gj ml fQYe dh og djrs Fks ftls ns[krs FksA gj fQYe mudh tqcku ij Fkh] gj xhr muds tgu esa FkkA laxhr dh gj /kqu ds oks nhokus Fks vkSj crk nsrs Fks fd fdl fQYe dh gS vkSj ijns ij fdl dykdkj us xk;k gS vkSj fdl xk;d us IysCkSd fn;k gSA lu~ 1950 ds ckn ls ysdj xr lnh ds ukSos n”kd rd dh fQYesa] tc rd fd fQYe laxhr esa esyksMh] cjdjkj jgh] vkSj og dku QksMw ugh gks x;k& mudh cgqr ialnhnk FkhaA ;gh ,d fo’k; Fkk ftl ij og eq> ls th [kksy dj ckrsa djrs Fks vkSj yqRQ ysrs FksA

esjs vkSj muds lEcU/kksa dh vge otg fQYesa t:j ugha Fkh ysfdu muesa tks e/kqjrk Fkh] etcwrh Fkh vkSj viukiu vk;k Fkk og fQYeksa dh ppkZ dh otg ls gh vk;k FkkA fQYesa ,d ,lk {ks= gS ftlesa Qkbu vkVZ dh vusd fo/kk;sa izfrfcfEor gksrh gSaA ys[ku] QksVksxzkQh] laxhr] xhr] vfHku; lHkh dk lekos”k mlesa gksrk gSa vkSj ,d ,ls O;fDr ds fy, ftlesa ewyr% ;s lHkh xq.k gksa] fQYeksa esa xEHkhj vfHk:fp j[kuk mruk gh LokHkkfod gS ftruk lakl ysukA xk;d og Lo;a Fks] vkSj “kk;n gh mudk dksbZ fe= ;k lEcU/kh gks ftlus mudk xk;u u lquk gksA ;qokoLFkk ds vkjfEHkd nkSj esa eqds”k ds xhr xk;k djrs FksA ;ífi ckn esa os fd”kksj dqekj ds QSu gks x, FksA “kadj t;fd”ku muds fiz; laxhr dkj Fks vkSj v”kksd dqekj muds fiz; vfHkusrkA xhrdkjksa esa banhoj o “kSysUnz dks cgqr ilUn djrs FksA ;g cM+k vthc bRrsQ+kd jgk fd mudk xhrdkj o dfo :i ,d cM+s NksVs ls nk;js esa lhfer gksdj jg x;k& dqN ikfjokfjd {ks= esa gh& bls ,d fo”kky dSuosl D;ksa ugh feyk Fkk] ;k mUgksua D;ksa ugha fn;k] bldk tks ,d ek= dkj.k eq>s utj vkrk gS og ;g fd og “kksgjr vkSj “kksj ls nwj jgrs FksA muds [kqn ds fy[ks xhr ;k Hktu fof”k’V jpuk,a gSa ftUgsa lqudj esjk vdhnk ¼fo”okl½ ;g gS fd vki t:j [kq”k gksxsaA

viuh lsgr dh tkfuc ¼vksj½ ls ykijokgh nqfu;k&,&Qu esa tgka dqN yksxksa dh dke;kch dk ck;l ¼dkj.k@vk/kkj½ vxj curh gS rks ekSr dk cgkuk Hkh cu tkrh gSA uthjs ¼mnkgj.k½ fQYeh nqfu;k ls gh vxj yh tk,a rks “kSysUnz gks] ;k eqds”k] jQh lkgc gksa ;k fd”kksj dqekj] lgxy gksa ;k t;fd”ku lcdh fu;fr ;gh jgh gS& dyk ds izfr lefiZr jgrs gq, mldh osnh ij vius “kjhj dh vkgqfr ns nsuk&vkSj ;gh }kjds”k th us Hkh fd;kA

;knsa rks ekth ¼vrhr½ ds leqUnj esa mBrh gqbZ ygjsa gSa tks ,d ds ckn ,d vkrh gSa vkSj pyh tkrh gSa] ,d [kRe ugh gqbZ fd nwljh fgyksjsa ekjus yxrh gSaaA ,d ygj nwljs ls bl rjg fyiV tkrh gSa fd mudks vyx&vyx djuk ukeqefdu gks tkrk gSA ;knksa dh bu ygjksa dks y¶tksa ¼”kCnksa½ dh dSn esa cka/kuk] mudks ,d rjrhc ¼dze½ nsuk] cgqr eqf”dy u Hkh gks rks de ls de vklku Hkh ugh gSA laLej.k ys[ku Hkh eq>s dqN ,slk gh yxrk gS vkSj og Hkh fdlh vius dk ftlls esjk lkFk rhu n”kdkas ls Hkh T;knk jgk gks] rc ls tc og bykgkckn ;wfuoflZVh esa 1958&60 esa ykW ds fo|kFkhZ Fks vkSj eSa b.VjehfM;sV esa i<+rk FkkA esjs cM+s HkkbZ Jh ohjsUnz ukFk th] ds og Dykl Qsyksa Fks vkSj mlh flyflysa ls dHkh dHkkj ge yksxksa ds dejs ij vk;k djrs FksA nksLrh ds bl lQj esa og eqdke Hkh vk;k tc twu 1961 esa ;s nksLrh fj”rsnkjh esa rCnhy gks xbZA

muds fo’k; esa dksbZ Hkh ys[ku ml oDr rd ukeqdEey ¼viw.kZ½ jgsxk tc rd mlesa mudh “kSf{kd ;ksX;rk (academic brilliance) dk ftdz u fd;k tk, ftlds fcuk ij og Hkkjrh; iz”kklfud lsok dh fyf[kr ijh{kk esa mRrh.kZ gq;s Fks] “kk;n 1960 esaA gkykafd ckn esa og pqusa u tk lds Fks vkSj bl nnZ dk btgkj ¼LohdkjksfDr½ og vDlj eq>s ls ckrksa ckrksa esa dj tk;k djrs FksA vki lkjh dk;ukr ¼nqfu;k@czãk.M½ esa ftl ,d pht dks ikuk pkgsa] ogh ,d pht u feydj lkjh dk;ukr vkids dneksa esa gks] ftUnxh dh ,d rQlhy] ,d ifjHkk’kk ;g Hkh gSA ftl rjg ds izksQs”ku esa thusa dk liuk mUgksaus latks;k jgk gksxk] VªkULiksVZ foHkkx dh lfoZl ml liusa ds drbZ eq[kkfyQ ¼mYVh½ t:j Fkh D;ksafd ;g muds “kk;jkuk fetkt] dykRed vfHk:fp vkSj [;kyksa dh dkseyrk ls drbZ esy ugh [kkrh FkhA fQj Hkh rdjhcu 23 lky rd mUgksusa bl eqgdesa esa xqtkjsa] vkSj eSa le>rk gw¡ fd dqN bl rjg ls xqtkjsa gksaxsa tSls fdlh chekj dh jkr xqtjrh gS ;k fdlh xjhc dk R;kSgkj xqtjrk gS& ,d nnZ ds lkFk&vkSj nnZ dk ;g leqUnj muds fny ij Hkkj curs&curs mudh ekSr dk lkeku cukA vius is”ks ds QzLVªs”ku] ek;wfl;ksa] etcwfj;ksa vkSj gknlks& gkykafd ;g ugh dgk tk ldrk fd bu lc ds fy, mudh detksfj;kW ftEesnkj ugha Fkh& dh cfUn”ksa rksM+dj muds dykdkj eu dh vfHkO;fDr dk izrhd mudh ;s rgjhjs gSa tks J)Utfy ds :i esa mudh izFke iq.; frfFk ij ek= bl vk”kk ls muds T;s’B o ;ksX; iq= Jh vkuUn fo’.kq th }kjk izdkf”kr dh tk jgh gSa fd de ls de oks yksx bls i<+s ftUgsa muds fudV jgus dk lkSHkkX; ugh fey ldkA lEHkor% vke vkneh ds fy;s ;s ugh Nkih tk jgh gS] oSls Hkh vkt vke vkneh ds ikl bruh Qqjlr ugh gS fd og ,d vke vkneh dh thou xkFkk i<+us esa :fp ys bl iqLrd ds izdk”ku dk mn~ns”; ;gh gks ldrk gS fd muls okcLrk ¼tqM+s gq;s½ yksx muds lkFk dHkh xqtjs gq;s {k.kksa dh ;knksa dks ftUnk dj ysa] mudh vPNkb;ka ;kn dj ys& **bulku dh vPNkbZ bulku dk viukiu] ;kn mldh fnykrs gSa] tc ikl ugh gksrk] vkokt dk tknwxj] uXekr dk “kgtknk] vc ikl ugh vius] fo”okl ugh gksrk**A ,d lky dk vjlk xqtj tkus ds ckn Hkh ;g ;dhu djuk eqf”dy gS fd og ge ls fcNM+ x;s gS& lnk ds fy,A yxrk gS og dgh vkl&ikl x;s gSa] vkSj tYnh gh vk tk,xsa] ysfdu ,slk ugh gksrk] [okc] [okc gS] gdhdrsa gdhdrsa gaSA ftUnxh gdhdrksa ds chp jg dj xqtkjus dh etcwjh gksrh gS] u fd [okcksa ds lkFkA viusa xq.kksa ds fy,] viuh dkseyrk ds fy, viuh vkfgLrk joh (easy going approach) ds fy,] viuh ckSf)d l{kerk ds fy, vkSj dyk dh viwoZ vkjk/kuk ds fy, ge u dsoy mudk vkthou Lej.k djsxs] oju mudh Le`fr;kW lnSo gekjk iFk&izn”kZu djrh jgsxhaA

**********************************************

uksV%& }kjds”k th ij ;g laLej.k uoEcj 1990 esa& mudh igyh iq.;&frfFk ij&izdkf”kr dh tkus okyh mudh iqLrd **viuk vuks[kk Qlkuk** ds fy, fy[kk x;k Fkk tks ml iqLrd esa fdUgh dkj.kkso”k “kkfey ugh fd;k tk ldk FkkA yxHkx 20 o’kZ ckn vc muds T;s’B iq= Jh vkuUn fo’.kq th dh vis{kkvksa dk lEeku djrs gq;s ;g laLej.k&fcuk fdlh fo”ks’k la”kks/ku ds& mUgsa iqu% izsf’kr fd;k tk jgk gS] bl vk”kk ds lkFk fd og bls fdlh :i esa iz;ksx djuk mi;qDr le>saA

**fjef>e**

ds&954 vkf”k;kuk dkyksuh HkwisUnzukFk

y[kuÅ&12

An Event of Pseudo Intellectualism and Secularism.

I am very upset over the trend of pseudo secular intellectuals who make so much hue and cry over M.F.Hussain’s opting to settle in a different country.It is shameful to call it a shame.It is the individual choice of an individual.As far as the aspect of artistic and creative freedom is concerned; the Hussain sympathizers must speak up about Salman Rushdie,Taslima Nasreen and the cartoon made by a Danish cartoonist Kurt Westergaard. Stop vote bank politics please.Our so called pseudo secular forces are keeping mum over Salman Rushdie,Tasleema Nasreen and Danish cartoonist.Their freedom of expression is as much important as Hussain’s. Hussain can not be allowed to paint nude goddesses in the name of artistic freedom.No one can hurt the religious feelings of any one,it is protected in the constitution.if Hussain can be given that freedom why not others? No double standards can be shown. It is intellectual bankruptsy.

It is lamentable that Tasleema is not getting her due respect in India due to dirty political designs of so called secular politicians and pseudo intellectuals.West Bengal is ruled by a Communist party.Communism treats religion as opium,yet Tasleema has been ill treated there due to petty political gains.But Tasleema is highly respected by general reader; for her courage and boldness .Her books are popular and path breaking.

Hussain’s going away from India is not at all an issue of any significance.We have so many great painters in India who do not hurt sentiments of a community.He was just one of the many painters who lived here.We will have many more in future.India is a great country,it does not need any one like him who can hurt the sentiments of a community by nude paintings. Our newspapers and Channels are depicting this event as a very important national event.What a pity.We have not lost anything;in fact he has lost the honour and pride of being called an Indian.It is his ingratitude towards his motherland.

Five Greatest All - Rounders of Cricketing History

In the History of Cricket, All Rounders have always played useful roles in the performance of their teams.They have been excellent dashing batsmen,ferocious bowlers and vigilant fielders.They are the ones who have always fascinated their fans with their calibre and their spirit to make their presence felt in overall display of formidable skills on the ground.Each one of them has been a devoted team man.They have been favourites with the crowd for their gusto and bubbling vigour.Selecting five greatest of them have been a difficult task but with due respects to some of the omitted ones,i have shortlisted these five as my favourite all rounders for all times -

1-Sir Garfield Sobers (West Indies)

2-Kapil Dev (India)

3-Sir Ian Botham (England)

4-Sir Richard Hadlee (New Zealand)

5-Imran Khan (Pakistan)

All Time Great Test Cricket Team.

I have always fancied how the greatest of test cricket team of all times would look alike.Just imagine the thrill and delight of watching all these stalwarts in one team defying time frame.It is my personal choice, so my respectful regards are due to many of the omitted great players; who can not figure out in this team.This imaginary team consists of my heroes,i have great love and fondness for them.It is my way of showing my heart felt tribute to their mesmerising cricketing prowess.

So here is the greatest test team of all times-

1-Sunil Gavaskar (India)

2-Sachin Tendulkar (India)

3-Sir-Donald Bradman (Australia)

(CAPTAIN)

4-Vivian Richards ( West Indies)

5-Barry Richards (South Africa)

6-Garfield Sobers (West Indies)

7-Kapil Dev (India)

8-Alan Knott (England)

9-Ian Botham (England)

10-Jeff Thomson (Australia)

11-Malcom Marshall (West Indies)

12-Dennis Lillee (Australia)

As an opening batsman, Sunil Gavaskar is the best option as he has thrashed the fastest as well as best of spin bowling in his times,that too without helmet.Sachin Tendulkar is other opener with him and he is just better than any one else.The Master Blaster is the best match with The Little Master to open the innings.

Sir Donald Bradman comes at number two slot.He is simply the Idol of Idols as Sunny Gavaskar calls him in his book 'Idols'.Vivian Richards is number three batsman.He can smash any bowling attack into pulp,the hard hitting batsman he is.Barry Richards comes at number four.He is a master batsman and really a dependable one.Garfield Sobers is the greatest all rounder of Cricket History,so his place is always confirm and he can perform with both bat and ball,and so can Kapil Dev and Ian Botham;both are aggressive batsmen and excellent pacers.Both are team men and want to make their presence felt in every part of the game.Kapil is a razor sharp fielder too.Alan Knott is the artist of wicket-keeping craft.He is the best choice as the ace wicket keeper.Jeff Thomson and Dennis Lillee have been Australia's fast bowling duo who helped Australia to became number one side in early seventies to mid seventies,before the emergence of West Indies on the scenario.That duo was the thunder storm of bowling.Malcom Marshall was very fast and very dangereous.

I hope i have justified my selection.Any way;your comments are always very welcome,friends.

The distasteful Paa and vulgar Three Idiots.

Recently I saw Paa and Three Idiots.For me Cinema is a powerful medium of Entertainment,learning and Social Messaging.In my humble opinion, I found both these movies vulgar,absurd and obscene. Paa ,in spite of a couple of indecent shots and not so healthy dialogues is quite ok.But my aesthetic sense got a severe blow when I saw Three Idiots.The film maker has stooped so low in choice of language and dictum.The movie is full of vulgar scenes,foul language and distasteful picturisation.You do not have to be cheap and shallow to make hit and popular films.We as film lovers should not condone such dirty scenes and dialogues.Why we waste our hard earn money for such tasteless things?Freedom of artistic creativity can never be at the cost of producing vulgarity.

I do not know why so much crude element looms large in our movies?You can depict any story without vulgar and foul picturisation too.It is a pity that abusive foul language and dirty scenes are used to increase the popularity of films.How we can watch such disturbing scenes and hear foul language with our families? We should not encourage such elements.I request our Censor Board to be vigilant and pass such movies with ‘A’ certificate only.Our children must be protected against such crudity.I am sure even film makers themselves can not see such films with their families.